Kurt und Ursula Schubert Archiv
Objects found (161)
Jewish Book Art in the Renaissance and Baroque Periods
Siehe:
Illuminierte und künstlerisch interessante Bibeldrucke
http://phaidra.univie.ac.at/detail_object/o:474422
Jüdische Barockmalerei http://phaidra.univie.ac.at/detail_object/o:474484 show more
Siehe:
Illuminierte und künstlerisch interessante Bibeldrucke
http://phaidra.univie.ac.at/detail_object/o:474422
Jüdische Barockmalerei http://phaidra.univie.ac.at/detail_object/o:474484
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CC BY-NC-ND 4.0 International
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Jewish Christian Encounter in Art (Israel 1987, Amerika 1989, Spanien 1990) – Teil 1
Late Antiquity: corresponds to http://phaidra.univie.ac.at/detail_object/o:472253
Middle Ages: further observations of rabbinic elements in medieval art. These were worked on with the same methodology: Aelfric Paraphrase (=Old English Hexateuch),... show more
Late Antiquity: corresponds to http://phaidra.univie.ac.at/detail_object/o:472253
Middle Ages: further observations of rabbinic elements in medieval art. These were worked on with the same methodology: Aelfric Paraphrase (=Old English Hexateuch), 11th century. Pamplona Bibles, around 1300, Navarra and later copies of the same; Byzantine Octateuch manuscripts; Koberg Bible, Nurnberg 1483; Pierpont Morgan Library, Psalter, MS 724
Connections to early Christian art on the one hand and to medieval Jewish book illumination on the other
Christian images of the Discovery of Moses showing Pharaoh’s daughter naked, following the model of Dura Europos
Parallel representations also appear in Sephardi Haggadot: Golden Haggadah, fol. 9r; BL, Or. 2884, 12r; Kaufmann Haggadah, p. 10; Castellazzo Bible.
Furnishing of the Torah shrine in the Synagogue of Dura Europos: theme of the temple, the sacrifice of Abraham, middle section repeatedly painted over. It deals with a messianic representation of the theophany with two Moses scenes to the left and right: the thorn bush and Mount Sinai.
Analogous theophany programmes appear in the Moses Basilica on Sinai, as well as in San Vitale, Ravenna, both from the 6th c.
(Translator: Joan Avery)
The Corresponding illustrations, selected by the Center of Jewish Art (Hebrew University, Jerusalem), can be found here: http://phaidra.univie.ac.at/detail_object/o:525998
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Jewish Christian Encounter in Art (Israel 1987, Amerika 1989, Spanien 1990) – Teil 2
See: Christian-Jewish Encounters in art. http://phaidra.univie.ac.at/detail_object/o:472218
Ashkenazi Mahzorim: Representations of the couple from the Song of Songs (Leipzig Mahzor) – compared to the Gothic images of the veiled personification of... show more
See: Christian-Jewish Encounters in art. http://phaidra.univie.ac.at/detail_object/o:472218
Ashkenazi Mahzorim: Representations of the couple from the Song of Songs (Leipzig Mahzor) – compared to the Gothic images of the veiled personification of the Synagoga (Strasbourg)
Carolingian Bibles, 9th c. Grandval Bible, London; Vivian Bible (Second Bible of Charles the Bald), Paris; Bible in San Paolo fuori le mura- Moses on Mount Sinai and the reading of the law. The reading takes place in a temple-like building. This can be linked to the Rabbinic tradition.
(Translator: Joan Avery)
The Corresponding illustrations, selected by the Center of Jewish Art (Hebrew University, Jerusalem), can be found here: http://phaidra.univie.ac.at/detail_object/o:526505
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Jewish Festivals in the Liturgical Year (Religion Teachers Conference Landeck 1987)
Introduction to the main Jewish Festivals: in the Bible the three most important obligatory holy days Passover, Shavuot and Sukkot (festival of weeks) can be traced back to agricultural festivals: the first grain harvest, the first wheat harvest and... show more
Introduction to the main Jewish Festivals: in the Bible the three most important obligatory holy days Passover, Shavuot and Sukkot (festival of weeks) can be traced back to agricultural festivals: the first grain harvest, the first wheat harvest and thanksgiving festival.
In the Israelite context these three festivals were pilgrimage festivals to the temple in Jerusalem.
Later these festivals were linked to Biblical events. Passover: the exodus from Egypt; Shavuot: The presentation of the law; Sukkot: wandering through the desert.
The earliest recorded prayer books are those of Amram Gaon, 9th century, of Saadia Gaon of the 10th century and in the 11th century the Mahzor Vitry of Simcha ben Samuel, a student of Rashi, Mishneh Torah of Maimonides, 12th century.
Siddur: Statutory prayers
Mahzor: liturgical hymns (piyutim not obligatory); brief history of the tradition of piyut poetry and the most important poets. Most of the Mahzorim come in two volumes: Spring and Autumn.
In the 13th century a rich tradition of illuminated Mahzorim began in southern Germany. This tradition later moved on to Italy.
Special Shabbatot before Passover: Sheqalim (Contribution for the building of the Temple: Oxford – Michael Mahzor, Jerusalem – Worms Mahzor, Leipzig Mahzor); Zakhor (Amalekites: Oxford – Laud Mahzor); Purim (Story of Esther: Oxford – Laud Mahzor, Leipzig Mahzor); Para (The High Priest slaughters the red cow: Oxford – Laud Mahzor); Hodesh (New Moon before Passover: Oxford – Laud Mahzor, Leipzig Mahzor)
The So-Called Great Shabbat: the piyut ties in with the Song of Songs and the illustration shows the love of God for His people as demonstrated in the depiction of a couple (Laud Mahzor, Leipzig Mahzor, Hamburger Siddur – Levy 37). The image in the Hamburger Siddur shows the bride with veiled eyes, recalling the Christian representations of the Synagogue (Tournai Cathedral, approx. 1250).
Passover: brief background information on the Passover Haggadah, which is not part of the Mahzor. Some of the Passover topics belonging to the Mahzor are: the cleaning of the kitchen vessels, the preparation of the Mazot, the Egyptians’ persecution of the Israelites (Leipzig Mahzor, Darmstadt Mahzor); Zodiac Signs (some accompanied by labours of the month) as an illustration of the prayers for dew in spring and rain in autumn: Michael Mahzor, Worms Mahzor, Leizpig Mahzor
The Ashkenazi Passover Haggadot usually contain a richer programme of ritual scenes, such as the images from the Second Nurnberg Haggadah (London, Sofer Collection) and the closely related Yahuda Haggada (Israel Museum). Here one can see the Search for leaven, the preparation of Mazot, the recitation of ‘This is the Bread of Affliction’, the seder table, the questions of the youngest son, the four questioning sons (Parma Haggada), Jacob goes to Egypt, slavery (the Bird’s Head Haggadah), the plagues, the Exodus from Egypt, Rabban Gamliel, Matza, Maror, Afikoman, the new Jerusalem.
The illustration cycles of the medieval Passover Haggadot have four main points: ritual themes, themes relevant to the texts, biblical and eschatological themes
Shavuot: The presentation of the Law on Sinai (Laud Mahzor, Mahzor in three volumes) A lovely hind and a graceful doe (Mahzor Worms)
Autumn Holy Days, see the lecture: The Great Holy Days in the medieval Mahzorim Illustration https://phaidra.univie.ac.at/detail_object/o:472552
Hanukkah: Festival of Lights: Darmstadt Mahzor- High Priest lights the Menorah.
Further Information about the Festivals in Kurt Schubert: Religion des Judentums, p. 137-142.
(Translator: Joan Avery)
The Corresponding illustrations, selected by the Center of Jewish Art (Hebrew University, Jerusalem), can be found here: http://phaidra.univie.ac.at/detail_object/o:525988
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Jewish Figural Art from the 3d to the 18th century (Graz, 1992)
Siehe:
Bilder zur Bibel im Judentum http://phaidra.univie.ac.at/detail_object/o:472253 show more
Siehe:
Bilder zur Bibel im Judentum http://phaidra.univie.ac.at/detail_object/o:472253
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Jewish Figurative Art from the 3rd to the 18th Centuries
Turku, Finnland 1990, Jerusalem 1994
Siehe:
Bilder zu Bibel http://phaidra.univie.ac.at/detail_object/o:472253
Drei Vorträge an der Humboldt Universität, Berlin http://phaidra.univie.ac.at/detail_object/o:472446
Für den ersten Teil: Jüdische... show more
Turku, Finnland 1990, Jerusalem 1994
Siehe:
Bilder zu Bibel http://phaidra.univie.ac.at/detail_object/o:472253
Drei Vorträge an der Humboldt Universität, Berlin http://phaidra.univie.ac.at/detail_object/o:472446
Für den ersten Teil: Jüdische Kunst der Antike (Basel 1983) http://phaidra.univie.ac.at/detail_object/o:472616
Jüdische Buchmalerei im mittelalterlichen Deutschland http://phaidra.univie.ac.at/detail_object/o:472633
Jüdische figürliche Kunst vom 3.-18. Jahrhundert (Graz, 1992) http://phaidra.univie.ac.at/detail_object/o:472800
Jüdische Barockillustrationen in österreichischen Handschriften des 18. Jhts. http://phaidra.univie.ac.at/detail_object/o:474484
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Jewish Symbolism in art (Salzburg, Hungary, 1988) Christian-Jewish Encounters in art (Eisenstadt, 1987) Jewish Art in Antiquity and its significance for early Christian art (Bavaria, 1990)
Detailed discussion of the biblical prohibition to create images in its various historical contexts. Starting from the biblical prohibition the lecture discusses Jewish visual culture against the background of the biblical approach.
Representations... show more
Detailed discussion of the biblical prohibition to create images in its various historical contexts. Starting from the biblical prohibition the lecture discusses Jewish visual culture against the background of the biblical approach.
Representations already existed in the monuments built by Solomon (the lion sculptures, iron lake with 12 cattle)
Contact with the pagan surroundings after the Babylonian exile (587 BC) led to an increased interest in their visual culture
In the Roman empire the question becomes particularly acute (Caligula demands a placement of a statue of the emperor in the temple area; this order, in particular the Jewish reaction to it is documented by Josephus Flavius).
In the context of the Greek-Roman culture, the Rabbinic authorities are seen as hostile towards images, whereas the elders of the synagogue are sympathetic. Polemics since the 2nd century AD as can be seen in Mekhilta de R. Yishmael (Ex. 20:23); Abhoda zara 3:1. From the third century onwards Rabbis are faced with this situation. (R. Johanan bar Nappaha in Jer. Abhoda zara 3:3)
Idea of the In-Dwelling of God after the destruction of the temple to be found in the synagogues (Jer. Berakhot 5 8d, Bab. Megilla 29a): leads to the understanding that the Synagogue is no longer only a place to meet, but also a ‘holy space’ (inscriptions in Stobi, Tiberias, Gerasa and Na’aran).
Dura Europos: Introduction with detailed analysis of the founder’s inscription, from which it becomes clear that the ‘presbyter’ of the Jewish community, Samuel bar Yedaya commissioned for the murals.
Murals in the direct surroundings of the Torah shrine: temple topic; comparison with Tetradachma (Bar-Kokhba uprising, 132), Juxtaposition of the binding of Isaac, which according to Jewish tradition took place on the temple mountain (which can be equated with Mount Moriah). The central position of the temple theme is a clear indication of the understanding of the synagogue as a ‘holy place’.
Destroyed murals above the Torah shrine. During the excavations these were still visible. Three different layers of paintings in this field point to the fact that the design kept changing during the eleven years of the synagogue’s existence of the painted synagogue. The lowest level: Torah as the tree of life, middle layer: Messianic Ruler figure (based on Gen. 49, Jacob blesses the 12 tribes and Jacob blesses Josef’s sons). This programme appears in between two representations of the Theophany: Moses at the burning bush and Moses on Mount Sinai. These pictures, together with the compositions in the middle pannel result in a Theophany programme, of which there are similar versions in the presbytery of San Vitale in Ravenna and in the basilica of Saint Katharine on Sinai. Schubert assumes that this programme was conceived of in a Jewish context.
Iconography of the other walls reflects many midrashim: methodological debate with the influence of the midrashim on Jewish and Christian iconography (see above left).
This lecture is partly based on earlier works:
Christian-Jewish encounters in art (Eisenstadt) http://phaidra.univie.ac.at/detail_object/o:472218
Influence of Jewish painting on early Christian art http://phaidra.univie.ac.at/detail_object/o:472308
The Contribution of Jewish Studies to the Research of Early Christian Art (the significance of Jewish Sources for Early Christian Iconography).http://phaidra.univie.ac.at/detail_object/o:472342
the summary takes into account only the main extensions of topics discussed in other lectures.
(Translator: Joan Avery)
The Corresponding illustrations, selected by the Center of Jewish Art (Hebrew University, Jerusalem), can be found here: http://phaidra.univie.ac.at/detail_object/o:525991
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CC BY-NC-ND 4.0 International
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o:472129 Kurt Schubert
o:472121 Kurt Schubert und Clemens Thoma
o:472117 Kurt Schubert und Norbert Höslinger
Kurt Schubert und Norbert Höslinger
Kurt Schubert und Norbert Höslinger, Direktor des Katholischen Bibelwerkes, beim Königsbacher in der Walfischgasse, 2003 show more
Kurt Schubert und Norbert Höslinger, Direktor des Katholischen Bibelwerkes, beim Königsbacher in der Walfischgasse, 2003
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Kurt Schubert vor dem Österreichischen Jüdischen Museum in Eisenstadt
Kurt Schubert, in Begleitung des schwarzen Zwergpudels „Theo“, sperrt das Eingangstor des Österreichischen Jüdischen Museums in Eisenstadt auf, Herbst 1985 show more
Kurt Schubert, in Begleitung des schwarzen Zwergpudels „Theo“, sperrt das Eingangstor des Österreichischen Jüdischen Museums in Eisenstadt auf, Herbst 1985
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Kurt Schubert’s Foundations, Kurt and Ursula Schubert as Organisers and Partners
This list was put together as an insert for the address for Kurt and Ursula Schubert on 19 January 2016 in the grand hall of the Austrian Academy of Sciences. It consists of Professor Kurt Schubert’s foundations, as well as institutions relating to... show more
This list was put together as an insert for the address for Kurt and Ursula Schubert on 19 January 2016 in the grand hall of the Austrian Academy of Sciences. It consists of Professor Kurt Schubert’s foundations, as well as institutions relating to him and his wife, the art historian and Jewish Studies scholar Dr. Ursula Schubert.
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o:472137 Kurt und Ursula Schubert
o:472143 Kurt und Ursula Schubert
o:472141 Kurt und Ursula Schubert
o:472131 Kurt und Ursula Schubert
Kurt und Ursula Schubert
Kurt und Ursula Schubert in den Räumen der von ihnen begründeten Sammlung jüdischer Bildkunst, Ferstelgasse, 5. November 1989 (Die Sammlung befindet sich heute am Centre of Jewish Art an der Hebrew University Jerusalem) show more
Kurt und Ursula Schubert in den Räumen der von ihnen begründeten Sammlung jüdischer Bildkunst, Ferstelgasse, 5. November 1989 (Die Sammlung befindet sich heute am Centre of Jewish Art an der Hebrew University Jerusalem)
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o:472127 Kurt und Ursula Schubert
Kurt und Ursula Schubert
Kurt und Ursula Schubert bei einer Vortragsreise durch Skandinavien, Königliche Bibliothek Kopenhagen, Februar 1990 show more
Kurt und Ursula Schubert bei einer Vortragsreise durch Skandinavien, Königliche Bibliothek Kopenhagen, Februar 1990
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o:472107 Kurt und Ursula Schubert
o:472105 Kurt und Ursula Schubert
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