Kurt und Ursula Schubert Archiv
Title
o:475243 Kurt und Ursula Schubert Collection
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Objects found (373)
o:474877 The Hebrew Bible in Art
The Hebrew Bible in Art
See http://phaidra.univie.ac.at/detail_object/o:472253 and http://phaidra.univie.ac.at/detail_object/o:474453 with other examples
* Prohibition of Images and the conflict with the culture of images (in particular the cult of pictures) in the... show more
See http://phaidra.univie.ac.at/detail_object/o:472253 and http://phaidra.univie.ac.at/detail_object/o:474453 with other examples
* Prohibition of Images and the conflict with the culture of images (in particular the cult of pictures) in the non-Jewish environment
* The Giving of the Law on Sinai, Leipzig Mahzor
* Northern France, 13th century: collected volume in London (ca. 1280) with illustrations from various workshops. The story of Lot and Solomonic judgement
* Mishna Torah in Budapest (1295-96): Cologne or Northern France, as earlier research had assumed. The Giving of the Law on Sinai
* Southern Germany and Rhineland: Bird’s Head Haggadah with Biblical and ritual scenes (such as the miracle of Manna, the miracle of the quails, the Giving of the Law)
* The Bird’s Head is a forerunner of the later Ashkenazi Haggadot from the 15th century, for instance the Second Nurnberg Haggadah (the march through the Sea of Reeds)
(Translator: Joan Avery)
The Corresponding illustrations, selected by the Center of Jewish Art (Hebrew University, Jerusalem), can be found here: http://phaidra.univie.ac.at/detail_object/o:525997
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The God of Israel and His Chosen Ones, Messiah, Eschatology, Resurrection
Professor Kurt Schubert deals with two topics in these notes, analysing them with the use of Biblical texts. show more
Professor Kurt Schubert deals with two topics in these notes, analysing them with the use of Biblical texts.
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The God of Abraham: A Provocation for the Peoples
These are notes for a lecture in which the covenant of Abraham and its reception in other religions is discussed. Professor Kurt Schubert had attached two pages of Flavius Josephus’s Antiquities of the Jews, not uploaded to the E-book however. show more
These are notes for a lecture in which the covenant of Abraham and its reception in other religions is discussed. Professor Kurt Schubert had attached two pages of Flavius Josephus’s Antiquities of the Jews, not uploaded to the E-book however.
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o:440456 The God Question after Auschwitz
The God Question after Auschwitz
In note form Professor Kurt Schubert addresses the topic of the existence of God within Judaism, using a historical overview with text samples from Antiquity, Rabbinic and medieval texts. show more
In note form Professor Kurt Schubert addresses the topic of the existence of God within Judaism, using a historical overview with text samples from Antiquity, Rabbinic and medieval texts.
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o:444053 The Empty Grave
The Empty Grave
These notes are for a lecture Professor Kurt Schubert gave to the KAVW in Vienna on 10 March 1972, discussing the resurrection of Jesus. show more
These notes are for a lecture Professor Kurt Schubert gave to the KAVW in Vienna on 10 March 1972, discussing the resurrection of Jesus.
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The Contribution of Jewish Studies to the Research of Early Christian Art (the significance of Jewish Sources for Early Christian Iconography).
Otto Pächt (The Rise of Narrative in Twelfth Century England) indicates that there was no tradition of extensive New Testament picture cycles until the 12th century.
Sarcophagus with Representations of Jesus’ miracles, the Passion Sarcophagus,... show more
Otto Pächt (The Rise of Narrative in Twelfth Century England) indicates that there was no tradition of extensive New Testament picture cycles until the 12th century.
Sarcophagus with Representations of Jesus’ miracles, the Passion Sarcophagus, Rabbula Gospel
However, extensive picture cycles relating to the Old Testament can be found in early Christian art: Callixtus Catacombs of the 3rd century, the Jonah Cycle; the catacomb at the Via Latina, 4th century, Vienna Genesis, Byzantium; Cotton Genesis, Egypt 5th century: a continuation of this tradition followed in the mid Byzantine Octateuch manuscripts, 11 and 12th century; the Old English Aelfric Paraphrase, 11th century, Caedmon Paraphrase, Oxford, 10th century.
In Judaism pictorial narratives can already be found in the 3rd century in the Synagogue of Dura Europos.
Image in the Synagogue of Dura Europos 244 A.D. of infant Moses being hidden and discovered.
Thoughts about the roots of Jewish art: inscriptions in the paintings are both in Aramaic and in Greek; Rabbinic influence is clearly visible, assuming that these themes go back to the Jewish book art of an earlier period.
A further argument for the existence of such late Antique Jewish book art is the fact that in early Christian and medieval art there are many cases where iconography can be interpreted with the help of Rabbinic Bible exegesis, or Midrash literature.
Samuel’s anointing of David, Dura Europos Synagogue; Sacra Parallela Manuscript, Palestine 7th century, Vatopaidi Psalter after 1088. In this case Rabbinic exegesis does not shape the interpretation, yet the parallels between late Christian and early Jewish versions still makes an affinity plausible.
A similar situation results from the representation of Noah’s Ark in the catacombs at the Via Latina. This varies from the familiar representation in catacomb iconography and shows Noah together with his wife. An analogous representation can be seen on a coin from Apamea, 193-253, where the scene runs from right to left.
Influence of Rabbinic exegesis in the catacombs of the Via Latina can be seen in the representation of Abraham welcoming the three angels in Mamre: [link: Christian-Jewish Encounters in Art http://phaidra.univie.ac.at/detail_object/o:472218], compared to Christian examples not influenced by Midrash literature: Santa Maria Maggiore, Rome, 432-36, San Vitale, Ravenna, beginning of the 6th century.
The iconography of Abraham, as influenced by the Rabbinic tradition, can also be seen on the sarcophagus in the Callixtus catacomb from the 3rd century as well as on the 12th century tapestry in the Halberstadt Cathedral treasure.
Catacomb at the Via Latina, expulsion of Adam and Eve from paradise with later parallels in the Creation Dome of San Marco in Venice, 13th century, related to the early Christian Cotton Genesis of 5th century Egypt; the Vienna Genesis, the St. Albans Psalter, England 12th century (Pächt), Farfa Bible, Ripoll, 12th century, Hortus Deliciarum, Herrad of Landsberg, Alsace, 11th century; Millstadt Genesis, 12th century; possibly a representation of the Shekhina (in-dwelling of the Godhead); the Fiery Wheel; Cherubs.
The story of Joseph in the Vienna Genesis: Joseph and the wife of Potifar. This representation contains many non-Biblical elements (reference to Levin, Revel Neher, Gutmann). Some of these have parallels in the frescoes in the church of San Paolo fuori le Mura (only the copies of which are preserved). In both images one can see Potifar’s wife in bed, which goes back to Rabbinic tradition.
In the Vienna Genesis the rest of the story of Joseph is also based on non-Biblical Jewish tradition, particularly the episodes of Aseneth.
Octateuch iconography (vat. gr.746): illustration of the Fall with a four-legged snake looking like a camel. This detail can also be ascribed to Jewish tradition and is perhaps based on a late Antiquity Jewish model (Weitzmann).
Summary: it is now impossible to gauge to what extent the Christian illustrations were created in accordance with transmitted Jewish models, or how much they were new creations, mixed with various Jewish elements to become novel compositions. For late antique Jewish painting was also shaped by the Hellenistic painting tradition.
(Translator: Joan Avery)
The Corresponding illustrations, selected by the Center of Jewish Art (Hebrew University, Jerusalem), can be found here: http://phaidra.univie.ac.at/detail_object/o:524558
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The Continuation of Ancient Jewish Art in the Middle Ages
Outline of Jewish Art in Late Antiquity, prohibition of images, Jewish figurative art until the 6th century:
Christian-Jewish encounters in art (Eisenstadt) http://phaidra.univie.ac.at/detail_object/o:472218
Influence of Jewish painting on early... show more
Outline of Jewish Art in Late Antiquity, prohibition of images, Jewish figurative art until the 6th century:
Christian-Jewish encounters in art (Eisenstadt) http://phaidra.univie.ac.at/detail_object/o:472218
Influence of Jewish painting on early Christian art http://phaidra.univie.ac.at/detail_object/o:472308
The Contribution of Jewish Studies to the Research of Early Christian Art (the significance of Jewish Sources for Early Christian Iconography) http://phaidra.univie.ac.at/detail_object/o:472342
Jewish Art in Antiquity (Basel 1983) http://phaidra.univie.ac.at/detail_object/o:472616
Schubert did not exclude the possibility of Jewish figurative art in the Latin West of the early Middle Ages, and assumed that Hebrew manuscripts, which have not been preserved, may have existed (book burnings in Paris in the 1240s)
Yet there were also numerous Jewish voices against Jewish figurative art (Joseph Hameqanne)
The methods used in support of the assumed continuity from late antiquity to the Middle Ages deal with Christian works of art displaying elements borrowed from late antique Jewish art, which then recur in the Jewish art of the Middle Ages. These Christian works can therefore be seen as a bridge between the Jewish art of Late Antiquity and that of the Middle Ages.
There are Christian works of art containing Midrash elements in their iconography. When these elements are unknown in Christian exegesis, one can assume that the Christian works of art refer to earlier Jewish models.
The lecture therefore tries to establish a chain of tradition between the murals of the Dura Europos Synagogue and other Late Antiquity pictorial evidence using specific Christian medieval depictions and medieval Hebrew manuscripts.
Example 1: Childhood story of Moses – Dura Europos, Ashburnham Pentateuch, Byzantine Octateuchs, Pierpont Morgen Picture Bible, Golden Haggadah (for instance: Pharaoh’s daughter discovers the infant instead of one of the maids)
Example 2: Exodus from Egypt – Dura Europos, Ashburnham Pentateuch, Sarajevo Haggadah, Golden Haggadah, British Library, Or. 2884, Or. 2737 (for instance city architecture for Egypt, arming of the Israelites)
Story of Joseph: Joseph being sold to the Ishmaelite traders and depiction of his brothers having a meal, when the tradesmen arrive (Midrash) – San Marco in Venice, Paris, BnF gr. 510, Homilies of Gregory of Nazianzus, Haggadah, British Library, Or. 2884
Story of Joseph: Potiphar’s wife seduces Joseph while seated in her bed, pretending to be ill: Vienna Genesis, Golden Haggadah, British Library, Or. 2884.
Haggadah, Or. 2884: Creation of Adam – related to the Cotton Genesis tradition (Millstadt Genesis), yet no longer correctly understood. Similar understanding of the revivification in the Ezekiel cycle of Dura Europos.
(Translator: Joan Avery)
The Corresponding illustrations, selected by the Center of Jewish Art (Hebrew University, Jerusalem), can be found here: http://phaidra.univie.ac.at/detail_object/o:526510
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BY-NC-ND 3.0 Unported
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The Concept of God in Medieval Jewish Philosophy of Religion
This short collection of Professor Kurt Schubert’s keywords puts some of the representatives and concepts of medieval philosophy of religion into context. show more
This short collection of Professor Kurt Schubert’s keywords puts some of the representatives and concepts of medieval philosophy of religion into context.
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CC BY-NC-ND 4.0 International
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The Bible in the Christian-Jewish Polemics of the Middle Ages and the Christian-Jewish Dialogue today
Here, Professor Kurt Schubert uses keywords to draw parallels between Christian and Jewish history in the modern age and the Middle Ages with the aid of many text examples. show more
Here, Professor Kurt Schubert uses keywords to draw parallels between Christian and Jewish history in the modern age and the Middle Ages with the aid of many text examples.
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The Austrian Academy of Sciences pays Tribute to Kurt Schubert on his 80th Birthday
The Austrian Academy of Sciences paid special tribute to Professor Kurt Schubert on the occasion of his 80th birthday on 4 March 2003. show more
The Austrian Academy of Sciences paid special tribute to Professor Kurt Schubert on the occasion of his 80th birthday on 4 March 2003.
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o:441997 Speaking about Jesus
Speaking about Jesus
In this collection of notes Professor Kurt Schubert posits several questions about Jesus, which he then answers. The topics are Jesus’s relationship to the Pharisees or the interpretation of his resurrection. show more
In this collection of notes Professor Kurt Schubert posits several questions about Jesus, which he then answers. The topics are Jesus’s relationship to the Pharisees or the interpretation of his resurrection.
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Spanish Book Illumination (Graz 1993)
One of the main foci of Kurt and Ursula Schubert’s methodology is the attempt to create links between medieval and late antique Jewish figurative art. Figurative art was cultivated in Judaism between the third and seventh centuries and then again... show more
One of the main foci of Kurt and Ursula Schubert’s methodology is the attempt to create links between medieval and late antique Jewish figurative art. Figurative art was cultivated in Judaism between the third and seventh centuries and then again only from the 13th century on, in Iberia from about 1300. Observations on the influence of the Midrashim on Christian art were used in order to bridge the period between the 7th and the 13th century. This method is based on the so-called ‘Recension Theory’, which was developed in the 1940s by Kurt Weitzmann.
The lecture begins with a short discussion of some late antique examples, as well as with short observations on the following phase of iconophobia.
Many medieval Sephardi Bibles show double or more pages of representations of the temple objects: Parma-Bible, (MS Parm 2668), Toledo, 1277; Paris (BnF, cod. Hébr. 7), Perpignan, 1299; London (BL, MS Kings 1), Solsona, 1388.
Figurative representations are seldom to be found in Sephardi Bibles. One exception is the so-called Cervera Bible (Lisbon, Biblioteca Nacional, MS Il. 72), Cervera, 1299. Here there is a picture of Jonah being thrown into the sea; Zachary’s vision of the Menorah; the painter’s colophon.
In 1476 the Cervera Bible served as a model for the illumination of another Bible, the so-called First Kennicott Bible in Oxford (Bodl., MS Kenn.1). In this Bible several models were used, such as the motif of playing cards, which had been popular in Europe since the 14th and 15th century; the world turned upside-down (cats and mice war)
The Passover Haggadot were endowed with rich figurative artistic decorations: the Golden Haggadah (London, BL, MS Add, 27219), Catalonia, circa 1320 with extensive cycles of images from the story of Genesis and Exodus; a further Haggadah in London (BL, MS Or. 2884); the Sarajevo Haggadah (National Museum of Bosnia and Herzegovina).
Christian picture Bibles and psalter manuscripts serve as pictorial models for these cycles
In London there is another Haggadah (BL, MS Add. 14761), which falls out of the pattern, as it contains relatively few Bible illustrations, yet has a whole series of text-related margin illustrations, mainly of ritualistic content.
Copenhagen, More Nevukhim of Maimonides (Königl. Bibliothek, cod, heb. 37), Barcelona 1348 with some figurative representations at the beginning of the books)
In 1391 a huge wave of persecution of the Jews in the whole of Iberia took place followed in 1492 and 1496 by their expulsion. These crises mean that only very few fully illuminated manuscripts from the 15th century have survived. The First Kennicott Bible is one of the few exceptions.
(Translator: Joan Avery)
The Corresponding illustrations, selected by the Center of Jewish Art (Hebrew University, Jerusalem), can be found here: http://phaidra.univie.ac.at/detail_object/o:525992
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Sixty Years of Jewish Studies in Vienna. Review and Prospects
This speech was written by Professor Kurt Schubert on the occasion of the sixtieth anniversary of the Jewish Studies Institute in Vienna. The author offers an overview of the history and genesis of the discipline and places special emphasis on the... show more
This speech was written by Professor Kurt Schubert on the occasion of the sixtieth anniversary of the Jewish Studies Institute in Vienna. The author offers an overview of the history and genesis of the discipline and places special emphasis on the developments at the University of Vienna.
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Sir Sigmund Sternberg Award for Professor Kurt Schubert
Professor Kurt Schubert was presented with the Sir Sigmund Sternberg Award on 5 July 2006 to honour his merits in the field of inter-religious dialogue. show more
Professor Kurt Schubert was presented with the Sir Sigmund Sternberg Award on 5 July 2006 to honour his merits in the field of inter-religious dialogue.
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Siebzigster Geburtstag Erika Weinzierl
Katholischer Akademikerverband, 1. 12. 1995 Kurt und (Prof. Erika Weinzierl, erste Reihe, zweite von links, neben ihr Ursula und Kurt Schubert). show more
Katholischer Akademikerverband, 1. 12. 1995 Kurt und (Prof. Erika Weinzierl, erste Reihe, zweite von links, neben ihr Ursula und Kurt Schubert).
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Seminar: The Meaning of Prophecy in Medieval Jewish Philosophy of Religion
The notes of this text contain the central themes of a seminar Professor Kurt Schubert held in the year 2001. Maimonides’s theories are a major topic here, but other medieval philosophers are also discussed. The Maimonides Mishna Commentaries... show more
The notes of this text contain the central themes of a seminar Professor Kurt Schubert held in the year 2001. Maimonides’s theories are a major topic here, but other medieval philosophers are also discussed. The Maimonides Mishna Commentaries (Chagigah 2, 1), The Thirteen Principles Of Jewish Faith by Maimonides and Avor de-Rabbi Nathan were also used as accompanying texts, but were not uploaded.
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Seminar: Sources for 19th and 20th century Jewish History
This E-Book contains notes for the seminar that Professor Kurt Schubert held in summer semester 2004. Literature reference lists are given for the various topics. Attached, but not uploaded, was a handout for the lecture, which had been kept by a... show more
This E-Book contains notes for the seminar that Professor Kurt Schubert held in summer semester 2004. Literature reference lists are given for the various topics. Attached, but not uploaded, was a handout for the lecture, which had been kept by a student.
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