Kurt und Ursula Schubert Archiv
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o:475243 Kurt und Ursula Schubert Collection
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Objects found (373)
Illustrations for Ursula Schubert's lecture: Jewish Baroque illustrations in Austrian manuscripts of the 18th century.
Related text material: https://phaidra.univie.ac.at/detail_object/o:474484
This resource was compiled by the Center for Jewish Art at Hebrew University in Jerusalem and is based on the "Ursula and Kurt Schubert Archives for Hebrew Illustrated... show more
Related text material: https://phaidra.univie.ac.at/detail_object/o:474484
This resource was compiled by the Center for Jewish Art at Hebrew University in Jerusalem and is based on the "Ursula and Kurt Schubert Archives for Hebrew Illustrated Manuscripts". It provides links to some of the scenes discussed in the Urusla Schubert material. If relevant images are available in the Archives, the resource contains the corresponding link.
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Illustrations for Ursula Schubert's lecture: Illuminated Prints and Bible Prints of Artistic Interest
Related text material: https://phaidra.univie.ac.at/detail_object/o:474422
This resource was compiled by the Center for Jewish Art at Hebrew University in Jerusalem and is based on the "Ursula and Kurt Schubert Archives for Hebrew Illustrated... show more
Related text material: https://phaidra.univie.ac.at/detail_object/o:474422
This resource was compiled by the Center for Jewish Art at Hebrew University in Jerusalem and is based on the "Ursula and Kurt Schubert Archives for Hebrew Illustrated Manuscripts". It provides links to some of the scenes discussed in the Urusla Schubert material. If relevant images are available in the Archives, the resource contains the corresponding link.
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Illustrations for Ursula Schubert's lecture: Spanish Book Illumination (Graz 1993)
Related text material: https://phaidra.univie.ac.at/detail_object/o:474398
This resource was compiled by the Center for Jewish Art at Hebrew University in Jerusalem and is based on the "Ursula and Kurt Schubert Archives for Hebrew Illustrated... show more
Related text material: https://phaidra.univie.ac.at/detail_object/o:474398
This resource was compiled by the Center for Jewish Art at Hebrew University in Jerusalem and is based on the "Ursula and Kurt Schubert Archives for Hebrew Illustrated Manuscripts". It provides links to some of the scenes discussed in the Urusla Schubert material. If relevant images are available in the Archives, the resource contains the corresponding link.
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Illustrations for Ursula Schubert's lecture: Jewish Symbolism in art (Salzburg, Hungary, 1988) Christian-Jewish Encounters in art (Eisenstadt, 1987) Jewish Art in Antiquity and its significance for early Christian art (Bavaria, 1990)
Related text material: https://phaidra.univie.ac.at/detail_object/o:472713
This resource was compiled by the Center for Jewish Art at Hebrew University in Jerusalem and is based on the "Ursula and Kurt Schubert Archives for Hebrew Illustrated... show more
Related text material: https://phaidra.univie.ac.at/detail_object/o:472713
This resource was compiled by the Center for Jewish Art at Hebrew University in Jerusalem and is based on the "Ursula and Kurt Schubert Archives for Hebrew Illustrated Manuscripts". It provides links to some of the scenes discussed in the Urusla Schubert material. If relevant images are available in the Archives, the resource contains the corresponding link.
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Illustrations for Ursula Schubert's lecture: Illuminated Manuscripts and Jewish Artists (Joseftaler Pastoral Care week, Bavaria 1990)
Related text material: https://phaidra.univie.ac.at/detail_object/o:472662
This resource was compiled by the Center for Jewish Art at Hebrew University in Jerusalem and is based on the "Ursula and Kurt Schubert Archives for Hebrew Illustrated... show more
Related text material: https://phaidra.univie.ac.at/detail_object/o:472662
This resource was compiled by the Center for Jewish Art at Hebrew University in Jerusalem and is based on the "Ursula and Kurt Schubert Archives for Hebrew Illustrated Manuscripts". It provides links to some of the scenes discussed in the Urusla Schubert material. If relevant images are available in the Archives, the resource contains the corresponding link.
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Illustrations for Ursula Schubert's lecture: Illumination in medieval Germany
Related text material: https://phaidra.univie.ac.at/detail_object/o:472633
This resource was compiled by the Center for Jewish Art at Hebrew University in Jerusalem and is based on the "Ursula and Kurt Schubert Archives for Hebrew Illustrated... show more
Related text material: https://phaidra.univie.ac.at/detail_object/o:472633
This resource was compiled by the Center for Jewish Art at Hebrew University in Jerusalem and is based on the "Ursula and Kurt Schubert Archives for Hebrew Illustrated Manuscripts". It provides links to some of the scenes discussed in the Urusla Schubert material. If relevant images are available in the Archives, the resource contains the corresponding link.
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Illustrations for Ursula Schubert's lecture: Jewish Festivals in the Liturgical Year
Related text material: https://phaidra.univie.ac.at/detail_object/o:472562
This resource was compiled by the Center for Jewish Art at Hebrew University in Jerusalem and is based on the "Ursula and Kurt Schubert Archives for Hebrew Illustrated... show more
Related text material: https://phaidra.univie.ac.at/detail_object/o:472562
This resource was compiled by the Center for Jewish Art at Hebrew University in Jerusalem and is based on the "Ursula and Kurt Schubert Archives for Hebrew Illustrated Manuscripts". It provides links to some of the scenes discussed in the Urusla Schubert material. If relevant images are available in the Archives, the resource contains the corresponding link.
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Illustrations for Ursula Schubert's lecture: The Main Holy Days in Medieval Ashkenazi Mahzorim illustrations
Related text material: https://phaidra.univie.ac.at/detail_object/o:472552
This resource was compiled by the Center for Jewish Art at Hebrew University in Jerusalem and is based on the "Ursula and Kurt Schubert Archives for Hebrew Illustrated... show more
Related text material: https://phaidra.univie.ac.at/detail_object/o:472552
This resource was compiled by the Center for Jewish Art at Hebrew University in Jerusalem and is based on the "Ursula and Kurt Schubert Archives for Hebrew Illustrated Manuscripts". It provides links to some of the scenes discussed in the Urusla Schubert material. If relevant images are available in the Archives, the resource contains the corresponding link.
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Illustrations for Ursula Schubert's lecture: Jewish Art in Antiquity (Basel 1983)
Related text material: https://phaidra.univie.ac.at/detail_object/o:472616
This resource was compiled by the Center for Jewish Art at Hebrew University in Jerusalem and is based on the "Ursula and Kurt Schubert Archives for Hebrew Illustrated... show more
Related text material: https://phaidra.univie.ac.at/detail_object/o:472616
This resource was compiled by the Center for Jewish Art at Hebrew University in Jerusalem and is based on the "Ursula and Kurt Schubert Archives for Hebrew Illustrated Manuscripts". It provides links to some of the scenes discussed in the Urusla Schubert material. If relevant images are available in the Archives, the resource contains the corresponding link.
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Illustrations for Ursula Schubert's lecture: Jewish Background to the Representation of the Giving of the Law on Sinai in Christian manuscripts
Related text material: https://phaidra.univie.ac.at/detail_object/o:472381
This resource was compiled by the Center for Jewish Art at Hebrew University in Jerusalem and is based on the "Ursula and Kurt Schubert Archives for Hebrew Illustrated... show more
Related text material: https://phaidra.univie.ac.at/detail_object/o:472381
This resource was compiled by the Center for Jewish Art at Hebrew University in Jerusalem and is based on the "Ursula and Kurt Schubert Archives for Hebrew Illustrated Manuscripts". It provides links to some of the scenes discussed in the Urusla Schubert material. If relevant images are available in the Archives, the resource contains the corresponding link.
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Illustrations for Ursula Schubert's lecture: The Contribution of Jewish Studies to the Research of Early Christian Art (the significance of Jewish Sources for Early Christian Iconography)
Related text material:
https://phaidra.univie.ac.at/detail_object/o:472342
This resource was compiled by the Center for Jewish Art at Hebrew University in Jerusalem and is based on the "Ursula and Kurt Schubert Archives for Hebrew Illustrated... show more
Related text material:
https://phaidra.univie.ac.at/detail_object/o:472342
This resource was compiled by the Center for Jewish Art at Hebrew University in Jerusalem and is based on the "Ursula and Kurt Schubert Archives for Hebrew Illustrated Manuscripts". It provides links to some of the scenes discussed in the Urusla Schubert material. If relevant images are available in the Archives, the resource contains the corresponding link.
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CC BY-NC-ND 4.0 International
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Illustrations for Ursula Schubert's lecture: Influence of Jewish painting on early Christian art
Related text material: https://phaidra.univie.ac.at/detail_object/o:472308
This resource was compiled by the Center for Jewish Art at Hebrew University in Jerusalem and is based on the "Ursula and Kurt Schubert Archives for Hebrew Illustrated... show more
Related text material: https://phaidra.univie.ac.at/detail_object/o:472308
This resource was compiled by the Center for Jewish Art at Hebrew University in Jerusalem and is based on the "Ursula and Kurt Schubert Archives for Hebrew Illustrated Manuscripts". It provides links to some of the scenes discussed in the Urusla Schubert material. If relevant images are available in the Archives, the resource contains the corresponding link.
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Illustrations for Ursula Schubert's lecture: Bible Images in Judaism
Related text material: https://phaidra.univie.ac.at/detail_object/o:472253
This resource was compiled by the Center for Jewish Art at Hebrew University in Jerusalem and is based on the "Ursula and Kurt Schubert Archives for Hebrew Illustrated... show more
Related text material: https://phaidra.univie.ac.at/detail_object/o:472253
This resource was compiled by the Center for Jewish Art at Hebrew University in Jerusalem and is based on the "Ursula and Kurt Schubert Archives for Hebrew Illustrated Manuscripts". It provides links to some of the scenes discussed in the Urusla Schubert material. If relevant images are available in the Archives, the resource contains the corresponding link.
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License
CC BY-NC-ND 4.0 International
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Illustrations for Ursula Schubert's lecture: Christian – Jewish Encounters in Art
Related text material: https://phaidra.univie.ac.at/detail_object/o:472218
This resource was compiled by the Center for Jewish Art at Hebrew University in Jerusalem and is based on the "Ursula and Kurt Schubert Archives for Hebrew Illustrated... show more
Related text material: https://phaidra.univie.ac.at/detail_object/o:472218
This resource was compiled by the Center for Jewish Art at Hebrew University in Jerusalem and is based on the "Ursula and Kurt Schubert Archives for Hebrew Illustrated Manuscripts". It provides links to some of the scenes discussed in the Urusla Schubert material. If relevant images are available in the Archives, the resource contains the corresponding link.
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From Antagonism to Ecumenism as seen in art
The following topics are discussed:
Controversy dating back to late antiquity – both in theology and in legislation (Codex Theodosianus)
Agobard of Lyon (in the years around 820) – ideal of a purely Christian society
1096 – persecutions in the... show more
The following topics are discussed:
Controversy dating back to late antiquity – both in theology and in legislation (Codex Theodosianus)
Agobard of Lyon (in the years around 820) – ideal of a purely Christian society
1096 – persecutions in the Rhineland during the first crusade
1240- 48: Parisian Talmud Trial
Accusations of desecration of the hosts and ritual murder
Economic marginalisation of the Jews because of restrictions on the pawn broking business
Around 1300 – eviction of Jews from France and England
year of the Plague: Accusation of poisoning the wells
Expulsion of Jews from many of the imperial cities in the 15th c.
In the Carolingian kingdom Christian-Jewish controversy can be seen in imagery from the 9th century onwards. The monopoly of Jews in international trade.
First representation of Ecclesia und Synagoga – Drogo Sacramentary (around 830, Judaism shown as a bearded old man); Carolingian ivory crucifixion scenes (Synagoga turning away)
The theme of Ecclesia and Synagoga is also familiar from Byzantine art (Paris, BnF, gr. 74)
Uta Codex (1000-1025) – Synagoga with covered eyes
Gunhild of Denmark’s cross – 1050–1075
Apsis arch, Spentrup (Denmark), circa 1200- Synagoga stabs the Agnus Dei
Liber Floridus belonging to Lambert of St. Omer – circa. 1120
Wilten Paten, 1160–70: Synagoga at the gates of hell
Augsburg Psalter, 13th c. Jews’ Descent into Hell. In Christian scenes of the Last Judgement Jews are always seen on the side of hell
Hortus Deliciarum of the Herrade of Landsberg: Hell with a special section for the Jews
Sacramentary of Tours – 12th c. – Unveiling of Synagoga
Chartres Cathedral– Beginning of the 13th. c.: Ecclesia and Synagoga – the blindness (veiling of the eyes) is no longer temporary, now a devil shoots an arrow into the eyes of Synagoga, and the blindness can no longer be cured.
Last Judgement scenes on the tympanum of the Bourges Cathedral – devil with a ‘typically Jewish’ physiognomy
Pöhlde Monastery choir stalls (1284) and Erfurt (ca. 1400) – defamatory motifs: ram’s head, Jewish swine
The Thörl Maglern ‘living cross’– 1485–89: God’s hand smiting Synagoga with a sword
Anti-Jewish iconography in Passions –and crucifixion scenes: Psalter from Liège (Pilate with a Jew’s hat and therefore identified as a Jew); Psalter from Constance (Roman soldiers clearly depicted as Jews)
Caricature representations: –Salisbury Breviary (ca. 1280) – High Priests and members of the Sanhedrin with devilish grimaces
Iconography of the Jew’s hat – can also be interpreted neutrally and appears in Hebrew manuscripts (Bird’s Head Haggadah)
‘Judensau’: The motif probably goes back to the custom of Jewish oath, as seen in the
Schwabenspiegel; for the oath Jews had to stand on a bleeding swine skin. Uppsala (14th c.); this motif can be seen on many prints from the 16th century onwards.
Anti-Christian polemics in Jewish culture: Motif of the Pharaoh’s bloodbath (in the blood of the Israelite children) from the Midrash as a means of addressing anti-Jewish persecution and as an ‘answer’ to accusations of ritual murder (Second Nurnberg Haggadah, 15th c., Venetian Haggadah, 1609, Abraham from Ihringen in Alsace, 18th c.)
Italian Psalter in Parma: Illustration for Psalm 83 – a monk preaching about the extermination of the Jews to three men carrying lances (13th c.)
London, British Library, Add. 14761 – Sephardi Haggadah (14th c.): Marginal illustrations show a dog serving a rabbit; in the Last Days the persecutor becomes a servant.
Ryland Haggadah (now in Manchester, 14th c.): hunting motif with Dalmatian dogs (in black and white) as persecutors of Judaism. The dogs allude to the Dominican Order (Dominicans as domini canes in the fight against unbelief and hereticism)
Hunting motif as an allegory of persecution: Second Nurnberg Haggadah – Esau (representing Christianity) as hunter; Mahzor Worms, hunter with a devil’s grimace and rooster feet of demons
Wood block series with representations of the purported ritual murder of Simon of Trent, 15th c.
Modern contention with persecution, ecumenism: Marc Chagall: image of the Crucified as an expression of Jewish suffering
Ernst de Gaspari, Eggenburg, Lower Austria, Focus on ecumenism and the Shoah
(Translator: Joan Avery)
The Corresponding illustrations, selected by the Center of Jewish Art (Hebrew University, Jerusalem), can be found here: https://phaidra.univie.ac.at/detail_object/o:526507
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The Image of Christ in the First Centuries
Initial reservation in early Christianity towards artistic representation
Absorption of Greek-Roman image motifs, pictorial motifs which were understandable for the late Antique Roman population and were transferred onto Christian themes: one... show more
Initial reservation in early Christianity towards artistic representation
Absorption of Greek-Roman image motifs, pictorial motifs which were understandable for the late Antique Roman population and were transferred onto Christian themes: one example is the iconography of Orpheus, familiar from the Roman culture as a figure of salvation. Clemens of Alexandria compares him to Christ (Orpheus Sarcophagus)
Philosopher figures were transferred onto apostles and finally onto Christ himself (christus kynicus). Christian scholars argued with concepts of Greek-Roman philosophy (Sarcophagus from Santa Maria Antiqua). This idea also leads to the motif of Christ as young teacher (closing grave panel from Rome, ceiling in the catacomb of Santi Pietro e Marcellino)
Parable of the good shepherd in the gospel of Saint John, also known in Roman culture (Sarcophagus of Velletri, Catacomb of Santi Pietro e Marcellino, Catacomb of Priscilla, the so-called Mausoleum of Galla Placida, House Church in Dura Europos)
Christ as the sol invictus – ceiling mosaic in a grave chamber in Saint Peter – imperial features are transferred onto the image of Christ
Pagan victory ideology turns into a theology of Christian victory (Christus monogramme in coins of Constantine the Great; the so-called Passion Sarcophagus )
It is from this connection that an early Christian image of Christ emerges, at least as seen in the reliefs of the sarcophagus of Junius Bassus (died in 359): entry to Jerusalem is influenced by depictions of the adventus of Roman emperors.
Vita Christi narratives emerge first in the 4th century (sarcophagus from Servannes)
Depictions of divine intervention through the hand of God (Dura Europos, Constantine consecration coins)
Santa Sabina – Wooden doors (5th century): Ascension, Rabbula Gospels Ascension (6th c.) – follows Roman Apotheosis depictions
Mary with child – emphasises the incarnation. Late Antique and Byzantine often links the incarnation (Jesus as man) with the ascension (Christ as God): Apse in Parenzo, Istria, 6th century
Santa Pudenziana (Apse), Rome, beginning of the 5th century: eschatological Jerusalem with the central Christ figure surrounded by apostles and a crux gemmata in heaven
(Translator: Joan Avery)
The Corresponding illustrations, selected by the Center of Jewish Art (Hebrew University, Jerusalem), can be found here: https://phaidra.univie.ac.at/detail_object/o:526512
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o:475119 Jewish Art in Late Antiquity
Jewish Art in Late Antiquity
Siehe:
Jüdische Kunst der Antike https://phaidra.univie.ac.at/detail_object/o:472616?q=o%3A472616&page=1&pagesize=10
Jüdische Symbolik in der Kunst https://phaidra.univie.ac.at/detail_object/o:472713?q=o%3A472713&page=1&pagesize=10
The... show more
Siehe:
Jüdische Kunst der Antike https://phaidra.univie.ac.at/detail_object/o:472616?q=o%3A472616&page=1&pagesize=10
Jüdische Symbolik in der Kunst https://phaidra.univie.ac.at/detail_object/o:472713?q=o%3A472713&page=1&pagesize=10
The Continuation of Ancient Jewish Art in the Middle Ages https://phaidra.univie.ac.at/detail_object/o:475054?q=o%3A475054&page=1&pagesize=10
Das Problem einer jüdischen Kunst https://phaidra.univie.ac.at/detail_object/o:475084?q=o%3A475084&page=1&pagesize=10
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The Problem with calling art ‘Jewish’
Prohibition of Images https://phaidra.univie.ac.at/detail_object/o:474453
Catacomb painting in Rome (Villa Torlonia): Christian catacombs compared to Jewish ones. Central to both is the concept of the end of times. In the Jewish catacombs it is... show more
Prohibition of Images https://phaidra.univie.ac.at/detail_object/o:474453
Catacomb painting in Rome (Villa Torlonia): Christian catacombs compared to Jewish ones. Central to both is the concept of the end of times. In the Jewish catacombs it is expressed by the iconography of the temple objects.
Murals in the Synagogue of Dura Europos: discovery story- the strengthening of the Roman city wall as protection from an Sassanid attack, enabled the paintings to be preserved.
Artistic features of the Torah shrine in the Dura Europos Synagogue and the surrounding murals ( https://phaidra.univie.ac.at/detail_object/o:472713)
Mosaic floors of the Beth Alpha Synagogue
Moses Scenes in the Dura Europos Synagogue (http://phaidra.univie.ac.at/detail_object/o:472308)
Influence of Jewish themes on Christian art and the beginning of a link to the Sephardi Haggadot (http://phaidra.univie.ac.at/detail_object/o:475054)
(Translator: Joan Avery)
The Corresponding illustrations, selected by the Center of Jewish Art (Hebrew University, Jerusalem), can be found here: http://phaidra.univie.ac.at/detail_object/o:526511
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License
CC BY-NC-ND 4.0 International
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The Continuation of Ancient Jewish Art in the Middle Ages
Outline of Jewish Art in Late Antiquity, prohibition of images, Jewish figurative art until the 6th century:
Christian-Jewish encounters in art (Eisenstadt) http://phaidra.univie.ac.at/detail_object/o:472218
Influence of Jewish painting on early... show more
Outline of Jewish Art in Late Antiquity, prohibition of images, Jewish figurative art until the 6th century:
Christian-Jewish encounters in art (Eisenstadt) http://phaidra.univie.ac.at/detail_object/o:472218
Influence of Jewish painting on early Christian art http://phaidra.univie.ac.at/detail_object/o:472308
The Contribution of Jewish Studies to the Research of Early Christian Art (the significance of Jewish Sources for Early Christian Iconography) http://phaidra.univie.ac.at/detail_object/o:472342
Jewish Art in Antiquity (Basel 1983) http://phaidra.univie.ac.at/detail_object/o:472616
Schubert did not exclude the possibility of Jewish figurative art in the Latin West of the early Middle Ages, and assumed that Hebrew manuscripts, which have not been preserved, may have existed (book burnings in Paris in the 1240s)
Yet there were also numerous Jewish voices against Jewish figurative art (Joseph Hameqanne)
The methods used in support of the assumed continuity from late antiquity to the Middle Ages deal with Christian works of art displaying elements borrowed from late antique Jewish art, which then recur in the Jewish art of the Middle Ages. These Christian works can therefore be seen as a bridge between the Jewish art of Late Antiquity and that of the Middle Ages.
There are Christian works of art containing Midrash elements in their iconography. When these elements are unknown in Christian exegesis, one can assume that the Christian works of art refer to earlier Jewish models.
The lecture therefore tries to establish a chain of tradition between the murals of the Dura Europos Synagogue and other Late Antiquity pictorial evidence using specific Christian medieval depictions and medieval Hebrew manuscripts.
Example 1: Childhood story of Moses – Dura Europos, Ashburnham Pentateuch, Byzantine Octateuchs, Pierpont Morgen Picture Bible, Golden Haggadah (for instance: Pharaoh’s daughter discovers the infant instead of one of the maids)
Example 2: Exodus from Egypt – Dura Europos, Ashburnham Pentateuch, Sarajevo Haggadah, Golden Haggadah, British Library, Or. 2884, Or. 2737 (for instance city architecture for Egypt, arming of the Israelites)
Story of Joseph: Joseph being sold to the Ishmaelite traders and depiction of his brothers having a meal, when the tradesmen arrive (Midrash) – San Marco in Venice, Paris, BnF gr. 510, Homilies of Gregory of Nazianzus, Haggadah, British Library, Or. 2884
Story of Joseph: Potiphar’s wife seduces Joseph while seated in her bed, pretending to be ill: Vienna Genesis, Golden Haggadah, British Library, Or. 2884.
Haggadah, Or. 2884: Creation of Adam – related to the Cotton Genesis tradition (Millstadt Genesis), yet no longer correctly understood. Similar understanding of the revivification in the Ezekiel cycle of Dura Europos.
(Translator: Joan Avery)
The Corresponding illustrations, selected by the Center of Jewish Art (Hebrew University, Jerusalem), can be found here: http://phaidra.univie.ac.at/detail_object/o:526510
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Jewish Christian Encounter in Art (Israel 1987, Amerika 1989, Spanien 1990) – Teil 2
See: Christian-Jewish Encounters in art. http://phaidra.univie.ac.at/detail_object/o:472218
Ashkenazi Mahzorim: Representations of the couple from the Song of Songs (Leipzig Mahzor) – compared to the Gothic images of the veiled personification of... show more
See: Christian-Jewish Encounters in art. http://phaidra.univie.ac.at/detail_object/o:472218
Ashkenazi Mahzorim: Representations of the couple from the Song of Songs (Leipzig Mahzor) – compared to the Gothic images of the veiled personification of the Synagoga (Strasbourg)
Carolingian Bibles, 9th c. Grandval Bible, London; Vivian Bible (Second Bible of Charles the Bald), Paris; Bible in San Paolo fuori le mura- Moses on Mount Sinai and the reading of the law. The reading takes place in a temple-like building. This can be linked to the Rabbinic tradition.
(Translator: Joan Avery)
The Corresponding illustrations, selected by the Center of Jewish Art (Hebrew University, Jerusalem), can be found here: http://phaidra.univie.ac.at/detail_object/o:526505
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License
CC BY-NC-ND 4.0 International
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